xii, 224 pages : 23 cm

"African Filmmaking: North and South of the Sahara is the first comprehensive study in English linking filmmaking in the Maghreb (Algeria, Morocco, and Tunisia) with that in francophone West Africa and examining the factors (including Islam and the involvement of African and French governments) which have shaped post-independence production. The main focus is the development over forty years of two main traditions of African filmmaking: a social realist strand examining the nature of postcolonial society and a more experimental approach where emphasis is placed on new stylistic patterns able to embrace history, myth, and magic. The work of younger filmmakers born since independence is examined in light of these two traditions. Book jacket."--Jacket

Includes bibliographical references (pages 201-214) and index

PART I. Context. Beginnings -- African initiatives -- The French connection. PART II. Confronting reality. Liberation and postcolonial society -- Individual struggle. PART III. New identities. Experimental narratives -- Exemplary tales. PART IV. The new Millennium. The post-independence generation -- Mahamat Saleh Haroun (Chad) -- Dani Kouyate (Burkina Faso) -- Raja Amari (Tunisia) -- Faouzi Bensaidi (Morocco) -- Abderrahmane Sissako (Mauritania)

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